Berlin Day 3+4 |
Wednesday, October 31, 2007
Sunday, October 28, 2007
Saturday, October 27, 2007
Thursday, October 25, 2007
Wednesday, October 24, 2007
Kindercity
I went to my first movie in Kindercity today - Ratatouille. Mommy had read the story to me many times, but the movie is so different. Everything seems so real. I cried my eyes out when Rémy was chased by Skinner - and Mommy had to rush me out of there. Guess I am not ready for the big screen yet.
Monday, October 22, 2007
Sunday, October 21, 2007
Saturday, October 20, 2007
Thursday, October 18, 2007
Wednesday, October 17, 2007
Sunday, October 14, 2007
Saturday, October 13, 2007
Thursday, October 11, 2007
Saturday, October 06, 2007
Paris - 貓貓回家
貓貓 is from Paris. This weekend, we are taking her to her birth place for the first time and hopefully we will find some of her family members... Sadly, we were informed by the shop that they no longer make this model any more.
dear 貓貓, no worry. I will take good care of you and you will go to boarding school with me just like mommy's fat rabbit.
dear 貓貓, no worry. I will take good care of you and you will go to boarding school with me just like mommy's fat rabbit.
Monday, October 01, 2007
Jason Wu Spring 2008
I think I will ask Uncle Jason to save this dress for my prom . . .
Jason Wu Spring-Summer 2008 Runway show
Jason Wu Resort 2008
from Style.com
The Wu label, now in its fourth season, is slowly crystallizing into the sort worn by a well-groomed young lady with a penchant for immaculate details, the kind of girl who could be a future couture customer if she plays her career (or matrimonial) cards right. Grace Kelly is by now a bit of a careworn reference in the fashion world, but that's just who Wu's Spring show brought to mind: a contemporary version of the movie icon as she appeared in Rear Window.
Wu played to his customer with a pretty and well-constructed collection, keeping his waists high (and punctuated with narrow patent belts), his silhouettes lean (save for a few circle skirts of the 1950's-Kelly ilk), and his shapes classic (the sheath, the trench, the strapless tea-length cocktail dress). For the first time, he introduced pattern to his previously more restrained color palette, with hand-painted prints inspired by René Gruau, the illustrator eulogized in The Guardian as the "chief visualiser" to the great couturier Christian Dior. Bold and graphic, these had a strong impact in cherry red, acid yellow, and electric blue.
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